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Retricted access

Research article

First published 2021-2

Measuring entertainment production at the Canadian Television Fund

Esther R Maier

Accounting History

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Case report

First published 2015-12

MGA Entertainment,Consumer Entertainment Products Company: Marketing Strategies for ‘Bratz’

Jayesh D. Patel, Rohit H. Trivedi, Jignasa Savalia

South Asian Journal of Business and Management Cases

Open access

Research article

First published 2023-10

Self-Produced K-Pop Web Entertainment Program Production Components and Their Effect on Global Audience’s Program Satisfaction and Artist Loyalty—Focusing on “Going Seventeen”

Sofija Limic, Seong-Joon Limb

Sage Open

Retricted access

Research article

First published 2019-2

Extracting Features of Entertainment Products: A Guided Latent Dirichlet Allocation Approach Informed by the Psychology of Media Consumption

Olivier Toubia, Garud Iyengar, Renée Bunnell [...]

Journal of Marketing Research

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Research article

First published 2019-1

Global Television Formats and Their Impact on Production Cultures: The Remaking of Music Entertainment Television in India

Lauhona Ganguly

Television & New Media

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Book review

First published 1921-11

Producing Amateur Entertainments.

Journal of Education

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Research article

First published 2017-5

Latin American contraflow in global entertainment media: Kingdom Rush series and Zambo Dende as de-localised media products

Hernán D Espinosa-Medina, Enrique Uribe-Jongbloed

Media International Australia

Retricted access

Research article

First published 2017-8

Reality’s children: young people and factual entertainment television

Anna Potter, Ben Goldsmith

Media International Australia

Retricted access

Research article

First published 2024-11

Multilayer intermediation: Exploring the organization of cultural intermediaries in social media entertainment

Davide Bizjak, Domenico Napolitano, Mariavittoria Cicellin [...]

Media,Culture & Society

Open access

Research article

First published 2022-5

Critical Interpretations of Global-Local Co-Productions in Subscription Video-on-Demand Platforms: A Case Study of Netflix’s YG Future Strategy Office

Taeyoung Kim

Television & New Media

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