The purpose of this article is to discuss World Music Pedagogy and the importance of this pedagogical approach in today’s diverse music classrooms, and to describe steps music educators could take to most effectively include music of other cultures in their North American music classrooms. The cultures and music that will be highlighted and explored in the context of this article will be those that are representative of Tanzania and Uganda, both of which are East African nations.
AbrilC. R. (2006a). Learning outcomes of two approaches to multicultural music education. International Journal of Music Education, 24, 30–42. https://doi.org/10.1177/0255761406063103
2.
AbrilC. R. (2006b). Music that represents culture: Selecting music with integrity. Music Educators Journal, 93, 38–45.
3.
AungN. M.CampbellP. S. (2024). Learning Burmese (Saung Gauk) music: Pathway through World Music Pedagogy. Journal of General Music Education, 37(3), 4–10. https://doi.org/10.1177/27527646231185567
4.
BarzG. (2004). Music in East Africa: Experiencing music, expressing culture. Oxford University Press.
5.
BelzM. J. (2006). Opening the doors to diverse traditions of music making: Multicultural music education at the university level. Music Educators Journal, 92, 42–45. https://doi.org/10.2307/387850
6.
BradleyD. (2006). Music education, multiculturalism, and anti-racism – Can we talk?Action, Criticism & Theory for Music Education, 5, 2–30.
7.
CampbellP. S. (2004). Teaching music globally: Experiencing music, expressing culture. Oxford University Press.
8.
CampbellP. S. (2023). Intercultural understanding through world music pedagogy: Students who hear and perform music from various cultures can become more broad-minded people. Teaching Music, 30(3), 40–43.
9.
CraigM. A.RuckerJ. M.RichesonJ. A. (2018). Racial and political dynamics of an approaching “majority-minority” United States. The ANNALS of the American Academy of Political and Social Science, 677(1), 204–214. https://doi.org/10.1177/0002716218766269
10.
DekaneyE. M.MacedeE. C.PyeL. R. (2011). University-school district world drumming partnerships: An assessment of students’ perception of the value of global music and culture in their lives and schools. Update: Applications of Research in Music Education, 29, 50–57. https://doi.org/10.1177/8755123310396979
11.
DukeR. (2009). Intelligent music teaching: Essays on the core principles of effective instruction. Learning and Behavior Resources.
12.
Fitzpatrick-HarnishK. (2015). Urban music education: A practical guide for teachers. Oxford University Press.
13.
HenningerJ. C. (2016). The teaching and learning of music of East Africa: Songs and dances of Tanzania. In RobinsonN.HallS.SpanoF. (Eds.), Teaching general music: A K-12 experience (pp. 235–250). Kendall Hunt Publishing Company.
14.
HenningerJ. C. (2018). Research to resource: Effective incorporation of world music in the classroom. Update: Applications of Research in Music Education, 37, 5–8. https://doi.org/10.1177/8755123318774199
15.
HenningerJ. C.SanchezA. (2021). Affirmation and representation in the music classroom. Southwestern Musician, 89, 24–27.
16.
LwogaN. B. (2013). Tourism development in Tanzania before and after independence: Sustainability perspectives. The Eastern African Journal of Hospitality, Leisure and Tourism, 1(2), 1–26.
Nannyonga-TamusuzaS. (2015). Music as dance and dance as music: Interdependence and dialogue in Baganda Baakisimba performance. Yearbook for Traditional Music, 47, 82–96. https://doi.org/10.5921/yeartradmusi.47.2015.0082
19.
Pawliková-VilhanováV. (1996). Swahili and the dilemma of Ugandan language policy. Asian and African Studies, 5(2), 158–170.
20.
ScottM. (2017). The myth of representations of Africa: A comprehensive scoping review of the literature. Journalism Studies, 18(2), 191–210. https://doi.org/10.1080/1461670X.2015.1044557
21.
SmallC. (2001). Why doesn’t the whole world love chamber music?American Music, 19, 340–359.
22.
TeicherJ. M. (1997). Effect of multicultural music experience on preservice elementary teachers’ attitudes. Journal of Research in Music Education, 45, 415–427.
VespaJ.MedinaL.ArmstrongD. M. (2018). Demographic turning points for the United States: Population projections for 2020 to 2060. US Department of Commerce, Economics and Statistics Administration, US Census Bureau.