A case study of Art-Shelter Bunker theatre explores the fascinating story of how a traumatic event, a dog bite, inspired the creation of a successful theatre company. Drawing on a narrative inquiry approach, we examine the personal experiences and reflections of the theatre company’s founder, who, after being bitten by a dog, underwent a profound transformation that ultimately led to the creation of a unique and impactful theatre company. Our examination underscores the significance of trauma and resilience within the dynamic model of the creative process, underscoring the crucial role that personal narrative plays in shaping artistic expression. Through this inquiry, we hope to better understand the complex and multifaceted relationship between personal experience, trauma, and creativity.
AlacovskaA. (2018). Informal creative labour practices: A relational work perspective. Human Relations, 71(12), 1563–1589. 10.1177/0018726718754991
2.
ArsawanI. W. E., KovalV., RajianiI., RustiariniN. W., SuparthaW. G., & SuryantiniN. P. S. (2022). Leveraging knowledge sharing and innovation culture into SMEs sustainable competitive advantage. International Journal of Productivity and Performance Management, 71(2), 405–428. 10.1108/IJPPM-04-2020-0192
3.
AudretschD. B., & BelitskiM. (2021). Towards an entrepreneurial ecosystem typology for regional economic development: The role of creative class and entrepreneurship. Regional Studies, 55(4), 735–756. 10.1080/00343404.2020.1854711
4.
BakhshiH., FreemaA., & HiggP. (2013). A dynamic mapping of the UK’s creative industries. https://media.nesta.org.uk/documents/a_dynamic_mapping_of_the_creative_industries.pdf
5.
BarendsenL., & GardnerH. (2004). Is the social entrepreneur a new type of leader?Leader to Leader, 2004(34), 43–50. 10.1002/ltl.100
6.
BaumolW. J., & BrownW. G. (1965). On the performing arts: The anatomy of their economic problem. American Economic Review, 55(2), 495–502.
7.
BelfioreE. (2020). Whose cultural value? Representation, power and creative industries. International Journal of Cultural Policy, 26(3), 383–397. 10.1080/10286632.2018.1495713
8.
BelliveauG., CookC., McleanB., & LeaG. W. (2019). Thawing out: Therapy through theatre with Canadian military veterans. Arts in Psychotherapy, 62, 45–51. 10.1016/j.aip.2018.11.001
9.
Boix-DomènechR., & Rausell-KösterP. (2018). The economic impact of the creative industry in the European Union. In Santamarina-CamposV. & Segarra-OñaM. (Eds), Drones and the Creative Industry (pp. 19–36). Springer.
10.
BorghiA. M., BinkofskiF., CastelfranchiC., CimattiF., ScorolliC., & TummoliniL. (2017). The challenge of abstract concepts. Psychological Bulletin, 143(3), 263–292. 10.1037/bul0000089
11.
BrechtB., & MuellerC. R. (1961). On the experimental theatre. Tulane Drama Review, 6(1), 2–17. 10.2307/1125000
12.
BujorA., & AvasilcaiS. (2015). ‘Creative Industries as a Growth Driver: An Overview’, managing intellectual capital and innovation for sustainable and inclusive society: Managing intellectual capital and innovation [Paper presentation]. Proceedings of the MakeLearn and TIIM Joint International Conference, 2. ToKnowPress.
13.
BujorA., & AvasilcaiS. (2016). The creative entrepreneur: A framework of analysis. Procedia—Social and Behavioral Sciences, 221, 21–28. 10.1016/j.sbspro.2016.05.086
14.
CarcaryM. (2009). The research audit trail-enhancing trustworthiness in qualitative inquiry. Electronic Journal on Business Research Methods, 7(1), 11–24. http://www.ejbrm.com/issue/download.html?idArticle=198
15.
CardonM. S., WincentJ., SinghJ., & DrnovsekM. (2009). The nature and experience of entrepreneurial passion. Academy of Management Review, 34(3), 511–532. 10.5465/amr.2009.40633190
16.
CareyC., & MatlayH. (2010). Creative disciplines education: A model for assessing ideas in entrepreneurship education?Education + Training, 52(8/9), 694–709. 10.1108/00400911011088999
17.
ColemanJ. J., & DickT. K. (2016). Nursing and theater: Teaching ethics through the arts. Nurse Educator, 41(5), 262–265. 10.1097/NNE.0000000000000271
18.
CookeP., & De ProprisL. (2011). A policy agenda for EU smart growth: The role of creative and cultural industries. Policy Studies, 32(4), 365–375. 10.1080/01442872.2011.571852
19.
CoulsonS. (2012). Collaborating in a competitive world: Musicians’ working lives and understandings of entrepreneurship. Work, Employment and Society, 26(2), 246–261. 10.1177/0950017011432919
20.
CumpaJ., & BrewerB. (Eds). (2019). The nature of ordinary objects. Cambridge University Press. 10.1017/9781316612897
21.
De ProprisL. (2013). How are the creative industries weathering the crisis?Cambridge Journal of Regions, Economy and Society, 6(1), 23–35. 10.1093/cjres/rss025
22.
DiMaggioP. J. (1986). Can culture survive in the marketplace? In DiMaggioP. J. (Ed.), Nonprofit enterprise in the arts. Studies in mission and constraint. Oxford University Press.
23.
EisenhardtK. M., & GraebnerM. E. (2007). Theory building from cases: Opportunities and challenges. Academy of Management Journal, 50(1), 25–32. 10.5465/amj.2007.24160888
24.
European Commission. (2010). Green paper. Unlocking the potential of cultural and creative industries. http://eur-lex.europa.eu/
25.
FillisI. A. N., & RentschlerR. (2010). The role of creativity in entrepreneurship. Journal of Enterprising Culture, 18(1), 49–81. 10.1142/S0218495810000501
26.
FlewT. (2010). Toward a cultural economic geography of creative industries and urban development: Introduction to the special issue on creative industries and urban development. Information Society, 26(2), 85–91. 10.1080/01972240903562704
27.
GioiaD. A., CorleyK. G., & HamiltonA. L. (2013). Seeking qualitative rigor in inductive research: Notes on the Gioia methodology. Organizational Research Methods, 16(1), 15–31. 10.1177/1094428112452151
HausmannA., & HeinzeA. (2016). Entrepreneurship in the cultural and creative industries: Insights from an emergent field. Artivate, 5(2), 7–22. 10.1353/artv.2016.0005
30.
HothoS., & ChampionK. (2011). Small businesses in the new creative industries: Innovation as a people management challenge. Management Decision, 49(1), 29–54. 10.1108/00251741111094428
31.
InnesC. (Ed.). (2002). A sourcebook on naturalist theatre. Routledge.
32.
JohnsonD. R. (1987). The role of the creative arts therapies in the diagnosis and treatment of psychological trauma. Arts in Psychotherapy, 14(1), 7–13. 10.1016/0197-4556(87)90030-X
33.
JonesC., SvejenovaS., PedersenJ. S., & TownleyB. (2016). Misfits, mavericks and mainstreams: Drivers of innovation in the creative industries. Organization Studies, 37(6), 751–768. 10.1177/0170840616647671
34.
JonesP. (1996). Drama as therapy: Theatre as living. Psychology Press.
35.
KhlystovaO., KalyuzhnovaY., & BelitskiM. (2022). The impact of the COVID-19 pandemic on the creative industries: A literature review and future research agenda. Journal of Business Research, 139, 1192–1210. 10.1016/j.jbusres.2021.09.062
36.
KirznerI. M. (1978). Competition and entrepreneurship. University of Chicago Press.
37.
LangleyA., SmallmanC., TsoukasH., & VenA. H. Van De. (2013). Process studies of change in organization and management: Unveiling temporality, activity and flow. Academy of Management Journal, 56(1), 1–13. 10.5465/amj.2013.4001
North American Drama Therapy Association (NADTA). (2012, 30September). What is drama therapy?https://www.nadta.org/what-is-drama-therapy
40.
PottsJ. (2011). Creative industries and economic evolution. Edward Elgar Publishing.
41.
PottsJ., & CunninghamS. (2008). Four models of the creative industries. International Journal of Cultural Policy, 14(3), 233–247. 10.1080/10286630802281780
42.
Roose-EvansJ. (2013). Experimental theatre: From Stanislavsky to peter brook. Routledge.
43.
SalmondA. (2012). Digital Subjects, Cultural Objects: Special Issue introduction. Journal of Material Culture, 17(3), 211–228. 10.1177/1359183512453531
44.
SantanaP., & SilveiraF. (2019). Entrepreneurship in the creative industries: A bibliometric study. Revista de Administração da Universidade Federal de Santa Maria, 12(1), 125–141.
45.
SchumpeterJ. A. (1934). The theory of economic development: An inquiry into profits, capital, credit, interest, and the business cycle. Harvard University Press.
46.
SilvermanH., & RugglesD. F. (Eds). (2007). Cultural heritage and human rights. Springer. 10.1007/978-0-387-71313-7_1
47.
Snow, St. D’AmicoM., & TanguayD. (2003). Therapeutic theatre and well-being. Arts in Psychotherapy, 30(2), 73–82. 10.1016/S0197-4556(03)00026-1
48.
SnowballJ. D. (2007). Measuring the value of culture: Methods and examples in cultural economics. Springer Science+Business Media.
49.
TantawyM., HerbertK., McNallyJ. J., MengelT., PiperopoulosP., & FoordD. (2021). Bringing creativity back to entrepreneurship education: Creative self-efficacy, creative process engagement, and entrepreneurial intentions. Journal of Business Venturing Insights, 15, e00239. 10.1016/j.jbvi.2021.e00239
50.
UnalF. T. (2013). Perception of teacher candidates with regard to use of theatre and drama applications in Education. Anthropologist, 16(3), 513–521. 10.1080/09720073.2013.11891377
51.
VaghelyI. P., & JulienP. A. (2010). Are opportunities recognized or constructed? An information perspective on entrepreneurial opportunity identification. Journal of Business Venturing, 25(1), 73–86. 10.1016/j.jbusvent.2008.06.004
52.
VillaniC., LugliL., LiuzzaM. T., & BorghiA. M. (2019). Varieties of abstract concepts and their multiple dimensions. Language and Cognition, 11(3), 403–430. 10.1017/langcog.2019.23
53.
WalshF. (2012). Theatre and therapy. Bloomsbury Publishing.
54.
WerthesD., MauerR., & BrettelM. (2018). Cultural and creative entrepreneurs: Understanding the role of entrepreneurial identity. International Journal of Entrepreneurial Behavior and Research, 24(1), 290–314. 10.1108/IJEBR-07-2016-0215
55.
WilsonG. A. (2014). Community resilience: Path dependency, lock-in effects and transitional ruptures. Journal of Environmental Planning and Management, 57(1), 1–26. 10.1080/09640568.2012.741519
56.
WilsonN. C., & StokesD. (2005). Managing creativity and innovation. Journal of Small Business and Enterprise Development, 12(3), 366–378. 10.1108/14626000510612286
57.
Yar HamidiD. Y., WennbergK., & BerglundH. (2008). Creativity in entrepreneurship education. Journal of Small Business and Enterprise Development, 15(2), 304–320. 10.1108/14626000810871691
