Abstract
The editorial team of Music & Science would like to thank the following non-board expert reviewers who reviewed papers between June 2017 and December 2018. Sonja Aalbers, NHL Stenden University of Applied Sciences, Netherlands
George Athanasopoulos, Aristotle University of Thessaloniki, Greece
Robert Attenborough, University of Cambridge, UK
Freya Bailes, University of Leeds, UK
Nicholas Bannan, University of Western Australia, Australia
Brian Bemman, Aalborg University, Denmark
Jonathan Berger, Stanford University, USA
Thomas Bergmann, Humboldt-Universitat zu Berlin, Germany
Matt Brennan, University of Glasgow, UK
Warren Brodsky, Ben-Gurion University of the Negev, Israel
Claudia Bullerjahn, Justus-Liebig-University Giessen, Germany
Ashley Burgoyne, Universiteit van Amsterdam, Netherlands
Karen Burland, University of Leeds, UK
Pamela Burnard, University of Cambridge, UK
Felicia Cheng, European Neuroscience Institute Göttingen, Germany
Charlotte Clarke, University of Edinburgh, UK
Martin Clayton, Durham University, UK
Annabel Cohen, University of Prince Edward Island, Canada
Caroline Cohrdes, Robert Koch-Institut, Germany
Tom Collins, Lafayette College, USA
Nicholas Cook, University of Cambridge, UK
Eduardo Coutinho, University of Liverpool, UK
Loïc Damm, Université de Montpellier, France
Roger Dean, Western Sydney University, Australia
Steven Demorest, Northwestern University, USA
Philippa Derrington, Queen Margaret University Edinburgh, UK
Johanna Devaney, Ohio State University, USA
Genevieve Dingle, University of Queensland, Australia
Zohar Eitan, Tel Aviv University, Israel
Manuela Filippa, Universita della Valle d’Aosta, Italy
Philip Fine, University of Buckingham, UK
John Garzoli, Monash University, Australia
Philippe-Aubert Gauthier, Sherbrooke’s University, Canada
David Giles, University of Winchester, UK
Bruno Gingras, Universitat Innsbruck, Austria
Jane Ginsborg, Royal Northern College of Music, UK
Rolf-Inge Godoy, University of Oslo, Norway
Roni Granot, The Hebrew University of Jerusalem, Israel
Maya Gratier, Université Paris Ouest Nanterre La Défense, France
Alinka Greasley, University of Leeds, UK
David Greatrex, University of Cambridge, UK
David Greenberg, City University of New York, USA
Maria Teresa Guasti, Università di Milano-Bicocca, Italy
Peter Harrison, Queen Mary University of London, UK
Pam Heaton, Goldsmiths University of London, UK
Tommi Himberg, Aalto University, Finland
David Hughes, SOAS University of London, UK
Beatriz Ilari, University of Southern California, USA
Jonathan Impett, Orpheus Institute, Belgium
Kelly Jakubowski, Durham University, UK
Sebastian Jentschke, Universitetet i Bergen, Norway
Andrew King, University of Hull, UK
Natalie Kohler, Max-Planck-Institut fur Kognitions und Neurowissenschaften, Germany
Ronald Kos, Boston University, USA
Amanda Krause, University of Melbourne, Australia
Petri Laukka, Stockholm University, Sweden
Jacques Launay, Brunel University London, UK
Graeme Lawson, UK
Andreas Lehmann-Wermser, Institut fur Musikpadagogische Forschung, Germany
Marc Leman, Ghent University, Belgium
Lassi Liikkanen, Aalto University, Finland
Charles Limb, University of California, San Francisco, USA
Joanne Loewy, Mount Sinai Health System, USA
Justin London, Carleton College, Canada
Psyche Loui, Wesleyan University, USA
Jennifer MacRitchie, Western Sydney University, Australia
Pieter-Jan Maes, Ghent University, Belgium
Maurizio Mancini, University College Cork National University of Ireland
Manuela Marin, University of Innsbruck, Austria
Raluca Matei, Royal Northern College of Music, UK
Rie Matsunaga, Kanagawa University, Japan
Tom McAuley, University of Cambridge, UK
David Meredith, Aalborg University, Denmark
Andrew Milne, Western Sydney University, Australia
Kimberly Moore, University of Miami, USA
Iain Morley, University of Oxford, UK
Robert Morris, University of Rochester Eastman School of Music, USA
Kathleen Murphy, Loyola University New Olrleans, USA
Luiz Naveda, Escola de Música da UEMG, Brazil
Diana Omigie, Max Planck Institut fur Empirische Asthetik, Germany
Guido Orgs, Goldsmiths University of London, UK
Ian Pace, City University London, UK
Pablo Padilla, Universidad Nacional Autonoma de Mexico, Mexico
Richard Parncutt, University of Graz, Austria
Stephanie Pitts, University of Sheffield, UK
Rainer Polak, Max Planck Institut fur Empirische Asthetik, Germany
Tal-Chen Rabinowitch, University of Haifa, Israel
Mark Reybrouck, KU Leuven - University of Leuven, Belgium
Frank Russo, Ryerson University, Canada
Rebecca Schaefer, Leiden University, Netherlands
Glenn Schellenberg, University of Toronto at Mississauga, Canada
Daniel Scholz, Hochschule für Musik, Theater und Medien Hannover, Germany
Kai Siedenburg, University of Oldenburg, Germany
Lilian Simones, Queen’s University Belfast, UK
John Sloboda, Guildhall School of Music and Drama, UK
Maria Spychiger, Hochschule fur Musik und Darstellende Kunst Frankfurt am Main, Germany
László Stachó, Liszt Ferenc Zenemuveszeti Egyetem, Hungary
Liila Taruffi, FU Berlin, Germany
Mari Tervaniemi, University of Helsinki, Finland
Michael Thorpe, University of Roehampton, UK
Adam Tierney, Birkbeck, University of London, UK
Bahar Tunçgenç, Kennedy Krieger Institute, USA
Peter Tyack, University of St Andrews, UK
Dylan van der Schyff, University of Oxford, UK
Jonna Vuoskoski, University of Oslo, Norway
George Waddell, Royal College of Music, UK
Caroline Waddington-Jones, University of Hull, UK
Christof Weiß, Friedrich-Alexander-Universitat Erlangen-Nurnberg, Germany
Karen Wise, Guildhall School of Music and Drama, UK
Matthew Woolhouse, McMaster University, Canada
and 57 anonymous reviewers