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Abstract

It is predominantly known that history is written by winners. However, this statement is true when a conflict has a symmetric tendency. In the case of Syria, where the conflict has been widely considered asymmetric, history is being written by a regime/government that won the war by not losing it. This article investigates the interconnection between heritage and politics in Syria by scrutinizing heritage practices, uses, and abuses since the colonial period. First, this article examines regime/government-led post-conflict reconstruction projects in the aftermath of Syria’s current conflict. Then the article moves on and explores the creation of war narratives and the selective memorialization of Syria’s recent conflict by looking at the portrayal of contested war memories in the media and the production of oral history. I argue that heritage practices, uses, presentation, and promotion in Syria since the colonial period have produced a politicized, one-sided (hi)story influenced by political agendas. This history includes highly politicized, ongoing tangible and intangible heritage reconstruction works, freighted with cultural meaning and primarily intended to bolster the power and authority of the ruling regime.

Keywords

Heritage reconstruction post-conflict politics memory Syria war narratives

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Reconstructing narratives: The politics of heritage in contemporary Syria

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