Abstract
This paper critically compares the reconfiguration of the concept of ‘bromance’ within the cultural and social contexts of Japan, South Korea, and China. Through a multilingual literature review, critical discourse analysis, and participant observation, it analyses the dynamics of intentional ‘de-queering’ by media and creators and ‘re-queering’ by fans surrounding cultural works depicting male relationships in the three countries. It reveals how media and fans simultaneously reconstruct ‘bromance’ as a queer possibility while bleaching its homosexual characteristics, thereby providing safe representations conforming to societal norms. By examining discourses surrounding ‘bromance’ and/in Boys’ Love (BL) and
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