Abstract
The article follows a theoretical and experimental research on body narratives and forms of creating meanings through aesthetic languages of cinema and video performances. Philosophers from phenomenology, neuroscientists, biologists, and linguistics whose dialogue between body and film studies, cognitive sciences, and art media possibilities illustrate this text, filled with examples of a series of artistic works from the author, which specify the body landscapes in imaging creation.
Get full access to this article
View all access options for this article.
References
1.
Blanchot
M.
(1955 ). The space of literature . Rio de Janeiro, Brazil : Rocco .
2.
Chi
S.-H.
(2012 ). Film and skin: On basis of etymological relation between film and skin . Seoul, South Korea : Korea University .
3.
Damasio
A.
(1999 ). O mistério da consciência [The mystery of consciousness ]. São Paulo, Brazil : Companhia das Letras .
4.
Deleuze
G.
(1999 ). El Bergsonismo . São Paulo, Brazil : Editora 34 . (Original work published 1966)
5.
Edelman
G.
Tononi
G.
(2000 ). A universe of consciousness: How matter becomes imagination . New York, NY : Basic Books .
6.
Llinás
R.
(2002 ). I of the vortex. From neurons to self. Emotions as FAPs . London, England : Bradford .
7.
Merleau-Ponty
M.
(2005 ). O visível e o invisível [The visible and the invisible ]. São Paulo, Brazil : Perspectiva . (Original work published 1964)
8.
Rose
S.
(1993 ). The making of memory: From molecules to mind . New York, NY : Anchor Books .
9.
Zizek
S.
(1999 ). The ticklish subject. The absent centre of political ontology . London, England : Verso .
10.
Zumthor
P.
(2000 ). Body and performance . São Paulo, Brazil : EDUC . (Original work published 1984)
