Abstract
By his own admission, Roland Barthes was seemingly remiss in not placing Georges Bataille within his account of ‘zero degree’ writing. This article draws inference from this fact, but specifically examines commonalities between Bataille’s heterology and Barthes’ late project on the Neutral (in which reference to ‘zero degree’ is again raised). The article works through Barthes’ two key articles on Bataille, ‘The Metaphor of the Eye’ and ‘Outcomes of the Text’, and also considers Bataille’s statement on informe, a concept that can be said to resonate with Barthes’ use of the Neutral. Neither term refers to specific ‘forms’, but rather an ‘operation’ of writing, as a means of undoing knowledge without its disavowal. An account is given of the commonalities of Bataille’s ‘general economy’ and what might be termed Barthes’ Neutral economy. Emphasis is placed upon their practice of writing as ethical responses in the ‘preparations’ of knowledge: to be judicious to what forms in and around knowledge, allowing as much for pauses as the possibilities of thought.
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