To test hypothesis that repeated listening alone increases enjoyment of serious music, 32 high school and college Ss listened to 9 selections representing different musical modes and periods for 10 days. Ss responded on 16 Semantic Differential scales. Significant increases occurred for 6 evaluative scales. Only 1 non-evaluative scale showed significant change. All works but 1 showed significant increase on at least 2 evaluative scales.
Get full access to this article
View all access options for this article.
References
1.
DowneyJ. E.KnappG. E.The effect on a musical programme of familiarity and of sequence of selections. In SchoenM. (Ed.), The effects of music.New York: Harcourt, Brace, 1927. Pp. 223–243.
2.
EdmonstonW. E.Jr.The use of the Semantic Differential technique in the esthetic evaluation of musical excerpts. American Journal of Psychology, 1966, 79, 650–652.
3.
GillilandA. R.MooreH. T.The immediate and long-time effects of classical and popular phonograph selections. Journal of Applied Psychology, 1924, 8, 309–323.
4.
KrugmanH. E.Affective response to music as a function of familiarity. Journal of Abnormal and Social Psychology, 1943, 38, 388–392.
5.
MachlisJ.Introduction to contemporary music.New York: Norton, 1961.
6.
MeyerM.Experimental studies in the psychology of music. American Journal of Psychology, 1903, 14, 474–475.
7.
OsgoodC. E.SuciG. J.TannenbaumP. H.The measurement of meaning.Urbana: Univer. of Illinois Press, 1957.
8.
WashburnM. F.ChildM. S.AbelT. M.The effects of immediate repetition on the pleasantness or unpleasantness of music. In SchoenM. (Ed.), The effects of music.New York: Harcourt, Brace, 1927. Pp. 199–210.