The United Kingdom's decision to leave the European Union, ‘Brexit’, continues to create ripples of concern and seeming political paralysis. Connecting emotionally to the process of ‘conscientious objection’ of previous generations provides inspiration for accepting embarrassment, taking a personal stance, and a making a renewed commitment to trusting our future to young people, including a continued commitment to the role of fostering criticality within academia.
CouldryN. (2010). Why voice matters: Culture and politics after neoliberalism.London, England: Sage.
2.
DavisJ. (1947). Perhaps, perhaps, perhaps [Recorded by D. Day], OnLatin for lovers [Vinyl record]. New York, NY: Columbia Records. (1964)
3.
DylanB. (1989). Everything is broken. OnOh Mercy [CD].New York, NY: Columbia Records.
4.
FarrésO. (1947). Quizás, quizás, quizás [Song lyrics]. New York, NY: Peermusic.
5.
GoodsonI. F. (2013). Developing narrative theory: Life histories and personal representation.Abingdon, England: Routledge.
6.
HallT., & GoldingL. (1982). The lunatics have taken over the asylum [Recorded by Fun Boy Three], OnFun Boy Three [Vinyl record], London, England: Chrysalis Records.
SmithR. (1985). In between days [Recorded by The Cure], OnHead on the door [Vinyl record], London, England: Fiction Records.
9.
SugrueC., & SolbrekkeT. D. (2011). Introduction. In SugrueC. & SolbrekkeT. D. (Eds.), Professional responsibility: New horizons of praxis (pp. 1–8). Abingdon, England: Routledge.
10.
TonraE. V., & HaefeliI. A. (2013). Youth [Recorded by Daughter], OnIf you leave [CD], London, England: 4AD.
