This commentary unpicks ethos and assemblage, and specifically explores the way assemblage becomes a kind of ethos in itself. By unravelling the use and maybe neglect of ethos within Anderson et al.’s (2012) paper and wider geographies – despite its animating force within them – the paper encourages more explicit concern for how we think, do, or live ethos within research and writing, and the promise of assemblage as ethos/ethos as assemblage, for broader geographical work.
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