Abstract
Rationalities endemic to modernity entail an implicit spatial imaginary of networks. Additionally, modernity envisages nature as an external domain that is discoverable by science and domesticable through technology in order to drive economic productivity. This article examines Grapevine Reservoir as an artifact of modernity. Through an examination of Dallas-based representations of Denton Creek space, we seek to demonstrate that the area was discursively produced as a distal node of the Dallas network: as nothing more than a point-source for urban water. And as water flowed into Dallas, the city flowed outward to Grapevine along the same conduit. We draw on archival data from a major local newspaper during the proposal and construction phases of the reservoir (1921–1954), as well as key government documents prepared by the US Congress and US Army Corps of Engineers (USACE) in the 1940s. Texts were subjected to discourse analysis, to examine how urban interests rationalized Denton Creek space.
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