This photo essay explores the evocation of memory through sensory stimuli in three of the artist/author’s memorial sculptures, both permanent and ephemeral.
BairdK (2010) Serve: a new recipe for sacrifice. In: ChielensP (ed.) Serve: A New Recipe for Sacrifice. Waiouru, New Zealand: National Army Museum, pp. 1–36.
2.
BairdK (2011) Patterns of ambivalence: the space between memory and form. In: DemoATVivianB (eds) Rhetoric, Remembrance, and Visual Form: Sighting Memory. New York: Routledge, pp. 113–127.
3.
BairdK (ed.) (2013) Tomb: Kingsley Baird: Artist in Residence at Historial de la Grande Guerre. Péronne: Historial de la Grande Guerre; Wellington, New Zealand: Massey University, pp. 1–59.
4.
BairdK (2014) Stela im Tod sind alle Kameraden [Stela: all are comrades in death]. In: BauerGPiekenGRoggM (eds) 14—Menschen—Krieg. Dresden: Militärhistorisches Museum, pp. 224–233.
5.
BourriaudN (2002) Relational Aesthetics. Dijon: Les presse du reel.
6.
SalmondA (1975) Hui: A Study of Maori Ceremonial Gatherings. Wellington, New Zealand: A.H. & A.W. Reed, p. 190.
