This article explores the uncanny interplay between folk and official readings of Victorian prison architecture. From building designs to cinematic depictions, the visual underpins any understanding of the prison. Using Bakhtin’s notion of heteroglossia, it will be shown how the visual elements of prison buildings, both physical and cinematic, obscure a ‘programmatic organisation of space’. As such, the prison is akin to a ‘phantasmagoria’. Both have visual elements that embrace and encourage an imaginative response, but that also mask a rational core. The term ‘Gothic(k)’ is developed here to describe those elements of the prison that constitute its ‘place-myth’. The prison no longer requires a physical apparatus to project its message or consolidate this place-myth. By drawing upon the Gothic(k) readings of the prison and the analogy of the phantasmagoria, we see how the prison has been fully rendered as a ‘system of light’.
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