Abstract

Keywords
For the urban historian, it is heartening to see awareness of the injustices of urban renewal, redlining, freeway siting, and other historic practices figure prominently in public conversations today—recognition of our turbulent urban and planning history is even beginning to inform governments’ current policies. Sam Bass Warner Jr. was among the first group of scholars to turn a critical eye on the historical development of American cities, and works of his, including Streetcar Suburbs (1962), The Private City (1968), and The Urban Wilderness (1972), became seminal pieces in the nascent, largely uncharted field of American urban and planning history during the 1960s and 1970s. Beginning with these influential debuts, Sam’s six-decade career remained dedicated to bringing urban and planning history out of obscurity and into the place we see it today.
As Charles Tilly wrote, it was Sam’s brilliance to understand “that the present he confronted offered no more than a moment in processes of continuous change.” 1 Sam saw the city as the accumulation of long-extant and ongoing events; he was a historian most concerned with present-day challenges facing communities and environments, deeply aware of the ability of history to inform and inspire actionable responses. To understand the unfolding creation of the city was to inform oneself as to the possible ways this story could continue. In addition to his understanding of history’s relevance to the present and future city, Sam possessed insight into the American city as a “private city.” He viewed the metropolis as an assemblage of so many private enterprises, simultaneously building up and tearing down the communities in their midst, with a peripheral state that had withdrawn from or at times became servile to private, corporate, or group interests rather than those of a wider public. First articulated in The Private City, Sam’s understanding of the fundamentally “private” nature of American urbanism captured what makes American city-building unique in the context of global urban history. This is also what makes the American mode of city-building so influential and replicable in the modern, global context, as we witness private interests oversee infrastructure and service provision in cities around the world. Beginning with the early nineteenth century heyday of the free artisan, Sam showed how government existed as a kind of last resort in the United States: an untrustworthy entity enlisted solely to prop up the assemblage of private enterprises that builds the city when the city threatens to collapse into violence. Despite the ascent of mega-corporations and the disempowerment of the American worker over the two centuries to follow, the nature of American governance and planning appears to have remained the same. Sam’s telling of policing’s evolution in nineteenth century Philadelphia in The Private City, or of modern healthcare systems’ emergence in the mid-twentieth century in The Urban Wilderness, remains so enlightening in understanding the current structure and problems of these institutions today. Sam was also perhaps the first urban historian to understand the history of American urbanization as a process of suburbanization, commencing long before World War II, coining the term “streetcar suburb” to describe the dominant mode of urban growth in the late nineteenth and early twentieth centuries.
Over the course of his career, Sam held professorships at multiple universities including the University of Michigan, Boston University, and Brandeis. Fittingly for a historian so concerned with the present, Sam was an activist scholar and involved in a number of movements, from 1960s anti-war efforts to community gardening. Starting in the late 1990s, he spent the first 14 years of his very active retirement as a Visiting Professor at MIT’s Department of Urban Studies and Planning, and it was during his time at MIT that we got to know Sam. Certainly, his insight and his dedication to the field made Sam a compelling educator, but we will most remember his kindness as the core of his success and legacy. He remained a scholar and an exceedingly gracious mentor to students, faculty, and alumni of the department throughout his appointment at MIT, prioritizing new collaborations with early-career scholars.
For each of us, Sam Warner’s mentorship has remained an incredible inspiration, and we are certain that this is also the case for innumerable other urban and planning historians. He showed us how the study of urban and planning history, and in particular the interpretation of the present as one moment in a long-unfolding story, always has a central role in the discussion of current urban challenges. Today, as conversations about history seem ubiquitous, we recognize Sam’s seminal role in getting us to this point and are forever grateful for and inspired by his wisdom, dedication, and generosity of spirit.
Footnotes
Declaration of Conflicting Interests
The author(s) declared no potential conflicts of interest with respect to the research, authorship, and/or publication of this article.
Funding
The author(s) received no financial support for the research, authorship, and/or publication of this article.
