US studies of street culture note that acting ‘crazy’ can provide status on the street, but rarely elaborate on this phenomenon. Based on several years of participant observation in the street culture of a disadvantaged part of Copenhagen, this article provides an in-depth analysis of the phenomenon of ‘craziness’. It reveals that it is a nuanced and multifaceted phenomenon and that street actors can strategically act crazy to gain several advantages. It further explains how ‘craziness’ has to be tempered with other amiable characteristics to be beneficial in street culture, and how it can also be advantageous in dealings with state institutions, as well as a disadvantage in mainstream society.
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