Heretic Cartography

Leon Battista Alberti , Leon Battista Alberti on painting and on sculpture: the Latin texts of De pictura' and De statua' ed. and trans. Cecil Grayson (London, Phaidon , 1972).

Jérome Alexandre , Christine Buci-Gluckamann , Françoise Cohen , Catherine Grenier and Didier Ottinger , Les iconodules: La question de l'image (Haute-Normandie, Association des Conservateurs , 1992).

Robert Alter , The art of biblical narrative (New York, Basic Books, 1982).

Johan Asplund , Rivaler och syndabockar (Göteborg, Korpen, 1989).

— Storstäderna och detforteanska livet (Göteborg , Korpen, 1992).

Erich Auerbach , Mimesis: the representation of reality in Western literature (German original, 1946; Princeton University Press , 1953).

Hans Belting , Bild und Kult: Eine Geschichte des Bildes vor dem Zeitalter der Kunst (Munich, C. H. Beck, 1990).

John Berger , Keeping a rendezvous (New York, Pantheon, 1991).

The Bible, New International Version (1978). (Also, ' Den av Konungen år 1917 gillade och stadfästa översättningen' and 'The standard edition of the Jerusalem Bible', 1966).

Manlio Brusatin , Storia delle linee (Torino, Einaudi , 1993).

Mark A. Cheetham , The rhetoric of purity: essentialist theory and the advent of abstract painting (Cambridge, Cambridge University Press, 1991).

Rainer Crone and David Moss , Kazimir Malevich: the climax of disclosure (London , Reaktion Books, 1991).

Gilles Deleuze , Nietzsche and philosophy (French original, 1962; London, Athlone Press, 1983).

Jacques Derrida , The truth in painting (French original, 1978; Chicago, Chicago University Press, 1987).

— Mémoires d'aveugle: L'autoportrait et autres ruines ( Paris Éditions de la Réunion des Musées Nationaux , 1990).

Dany-Robert Dufour , Les mystères de la trinité (Paris, Gallimard, 1990).

Franco Farinelli , Gunnar Olsson and Dagmar Reichert , eds., Limits of representation (München, Accedo, 1994).

Michel Foucault , Discipline and punish: the birth of the prison (French original, 1976; Harmondsworth, Penguin , 1979).

Northrop Frye , The great code: the Bible and literature (New York , Harcourt Brace Jovanovich, 1982 ).

René Girard , Things hidden since the foundation of the world (French original, 1978; Stanford, Stanford University Press, 1987).

— Job: the victim of his people (French original, 1985 ; Stanford, Stanford University Press, 1987).

Xaviar Girard , La chapelle du Rosaire (Paris, Éditions de la Réunion des Musées Nationaux, 1992).

Homer , The Odyssey, trans. Robert Fitzgerald (New York, Anchor Books, 1963).

William M. Ivins Jr., Art and geometry: a study in space intuitions ( Cambridge, Mass., Harvard University Press, 1946).

Franz Kafka , The trial (German original, 1925; New York , Shocken Books, 1968).

Wassily Kandinsky , Concerning the spiritual in art (German original, 1914 ; New York, Dover 1977).

- Point and line to plane (German original, 1926; New York, Dover, 1979).

Søren Kierkegaard , Fear and trembling (Danish original, 1849; New York, Doubleday, 1954).

Joseph Leo Koerner , The moment of self-portraiture in German Renaissance Art ( Chicago, University of Chicago Press, 1993).

Angèle Kremer-Mariette , Nietzsche et la rhétorique (Paris, Presses Universitaires de France, 1992).

Tryggve Kronholm , De tio orden (Stockholm, Verbum , 1992).

Ewa Kuryluk , Veronica and her cloth ( Cambridge, Blackwell, 1991).

Jacques Lacan , Écrits: a selection (French original, 1966; Andover, Tavistock, 1977).

Ulf Linde , 'Perifera notiser om centralperspektivet', Artes 70 (1991), pp. 45-64.

Kazimir Malevich , Essays on art (Russian originals, 1915-33; Copenhagen, Borgen, 1968).

Emmanuel Martineau , Malévitch et la philosophie: La question de la peinture abstraite (Laussane, Editions l'Age d'Homme , 1977).

Alexander Nehemas , Nietzsche: life as literature (Cambridge, Mass. , Harvard University Press, 1985 ).

Friedrich Nietzsche , Beyond good and evil (German original, 1886; New York, Vintage, 1966 ).

Konrad Onasch , Die Ikonenmalerei: Grundzüge einer systematischer Darstellung ( Leipzig, Koehler & Amelaug, 1968).

Gunnar Olsson , Birds in egg/Eggs in bird (London, Pion, 1980).

— Antipasti (Göteborg, Korpen , 1990).

— Lines of power/Limits of language (Minneapolis, University of Minnesota Press, 1991).

— 'Invisible maps: a prospectus', Geografiska Annaler 73 (1991), pp.85-91.

— 'Chiasm of thought-and-action', Society and Space 11 (1993), pp. 279-94.

Paul Overy , Kandinsky: the language of the eye (London, Elek Books, 1969).

Erwin Panofsky , Perspective as symbolic form (German original, 1924 -5; New York, Zone Books, 1991).

Jaroslav Pelikan , Imago Dei: the Byzantine apologia for icons (New Haven , Yale University Press, 1990 ).

José Luis Ramirez , Planering, meningsskapande och meningsförändring (forthcoming).

Sixten Ringbom , Icon to narrative: the rise of the dramatic close-up in fifteenth century devotional painting (Doomspijk, Davaco, 1984).

Michel Serres , Les origines de la géométrie: Tiers livre des fondations ( Paris, Flammarion, 1993).

W. Sherwin Simmons , Kasimir Malevich's 'black square' and the genesis of suprematism 1907-1915 (New York, Garland, 1981).

Frank Stella , Working Space (Cambridge, Mass., Harvard University Press, 1986).

Michael Taussig , Mimesis and alterity: a particular history of the senses ( New York, Routledge, 1993).

Jean-Pierre, Vemant , Myth and society in Ancient Greece (French original, 1974; New York, Zone Books, 1990).

William K. Wimsatt Jr., The verbal icon: studies in the meaning of poetry ( New York, Noonday Press, 1966).

Ludwig Wittgenstein , Tractatus Logico-Philosophicus (Bilingual original, 1922; London, Routledge & Kegan Paul, 1961).

— Philosophische Untersuchungen/Philosophical investigations ( Oxford, Blackwell, 1953).

— Zettel (Oxford, Blackwell , 1967).