Morris Holbrook’s jazz and film series: an appreciation

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References

Bradshaw, A. , McDonagh, P. and Marshall, D. ( 2006) ‘Response to "Art versus Commerce" as a Macromarketing Theme’, Journal of Macromarketing 26(1): 81-3.

Brown, S. ( 2005) Writing Marketing - Literary Lessons from Academic Authorities . London: SAGE Publications.

DeNora, T. ( 2003) After Adorno - Rethinking Music Sociology. Cambridge: Cambridge University Press.

Holbrook, M. ( 1995) Consumer Research: Introspective Essays on the Study of Consumption. Thosand Oaks, CA: SAGE Publications.

Holbrook, M. ( 1990) ‘Presidential Address; The Role of Lyricism in Research on Consumer Emotions: "Skylark Have You Anything To Say To Me?"’, , Advances in Consumer Research 17: 1-18.

Holbrook, M. ( 1997) ‘Feline Consumption Ethnography, Felologies and Unobtrusive Participation in the Life of a Cat’, European Journal of Marketing 31(3/4): 214-33.

Holbrook, M. ( 2006) ‘Reply to Bradshaw, McDonagh, and Marshall: Turn off the Bubble Machine’, Journal of Macromarketing 26(1): 84-7.

Holbrook, M. and Grayson, M. ( 1986) ‘The Semiology of Cinematic Consumption: Symbolic Consumer Behaviour in Out of Africa’, Journal of Consumer Research 13: 374-81.

Holbrook, M. and Hirschman, E. ( 1982) ‘The Experiential Aspects of Consumption: Consumer Fantasies, Feelings and Fun’, Journal of Consumer Research 9(Sept.): 132- 40.

10.

Holbrook, M. ( 2003) ‘A Book-Review Essay on the Role of Ambi-diegetic Film Music in the Product Design of Hollywood Movies: Macromarketing in La-La-Land’ , Consumption, Markets and Culture 6(Sept.): 207-30.

11.

Holbrook, M. ( 2004) ‘Ambi-Diegetic Music in Films as a Product-Design and Placement Strategy: The Sweet Smell of Success’, Marketing Theory 4(3): 171-85.

12.

Holbrook, M. ( 2005) ‘The Ambi-diegesis of "My Funny Valentine", in S. Lannin and M. Caley (eds) Pop Fiction - the Song in Cinema, pp. 48-62. Portland, OR: Intellect.

13.

Holbrook, M. ( 2005) ‘Ambi-diegetic Music in the Movies: The Crosby Duets in High Society’, Consumption, Markets and Culture 8(June): 153- 82.

14.

Holbrook, M. ( 2005) ‘Art versus Commerce as a Macromarketing Theme in Three Films from the Young-Man-with-a-Horn Genre’, Journal of Macromarketing 25(1, June): 22-31.

15.

Holbrook, M. ( 2006) ‘Reply to Bradshaw, McDonagh, and Marshall: Turn off the Bubble Machine’, Journal of Macromarketing 26(1, June): 84-7.

16.

Holbrook, M. ( 2007) ‘Cinemusical Meanings in Motion Pictures: Commerce, Art, and Brando Loyalty . . . Or . . . De Niro, My God, To Thee’, Journal of Consumer Behaviour 6(Nov.-Dec.): 398-418.

17.

Holbrook, M. ( 2007) ‘When Bad Things Happen to Great Musicians: The Role of Ambi-diegetic Jazz in Three Tragedepictions of Artistic Genius on the Silver Screen’, Jazz Research Journal 1(May): 99-128.

18.

Holbrook, M. ( 2008) ‘Music Meanings in Movies: The Case of the Crime-Plus-Jazz Genre’, Consumption Markets & Culture 11(4, Dec.): 307-27.

19.

Holbrook, M. ( 2009) ‘A Cinemusicaliterary Analysis of the American Dream as Represented by Biographical Jazz Comedepictions in the Golden Age of Hollywood Biopics: Blow, Horatio, Blow; O, Jakie, O; Go, Tommy, Go; No, Artie, No’ , Marketing Theory 9(3) (forthcoming).