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Abstract

In attempting to show how visual epistemology is a crucial terrain of political struggle, this article argues that the popular image of the social pyramid renders the idea of a totalizing structure epistemologically available in a mediasphere devoid of such images. The pyramid evokes how social relations are organized and poses the question of their reorganization as a structure–agency problem. Yet, at the same time, the pyramid critically evokes a totalizing whole, it obscures an abstract form of domination specific to capitalist social life by locating the source of domination in hierarchical power relations as such. The article explores this double nature through an investigation of historical and contemporary images of social pyramids. Attempts by social movement actors to update the pyramid so that it more accurately reflects social reality, reveal the potential and the limitations of a visual epistemology for anticapitalist praxis in the present.

Keywords

personification social domination social movement culture social pyramid totality visual epistemology

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To make what is vertical horizontal: picturing social domination

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