Abstract
I am concerned here with the ways in which image and theory interact over decades of development and becoming visible the one to the other. I set out the processes of becoming visible and readable in new and unexpected ways against the questionable newness of the new, and against the outstanding question of what it might have been that the old really was. In this discussion the word sex is deployed as if it referred to an essential nature, and this Edenic use is formulated as a critical abuse of theoretical models that have dominated our understanding of the visible.
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