Collage is a formal art genre, a medium of expression and communication, and a teaching tool. But what is the potential of collage as a methodological process in visual design scholarship? This article provides theoretical and practical frameworks for ‘design scholarship through collage’ and ‘collage as design scholarship’ through historical precedent, heuristic practice and examples of four collage projects by two practitioners of the medium. The works demonstrate a hybrid form of visual design scholarship.
DrągW (2019) Theory and practice of collage chapter. In: Collage in Twenty-First-Century Literature in English: Art in Crisis. New York, NY: Routledge, 10–58.
6.
DR.ME (DoyleRyanEdwardsMark) (2016) Cut That Out: Contemporary Collage in Graphic Design. New York, NY: Monacelli Press.
7.
ErnstM (1948) Beyond Painting. New York, NY: Wittenborn, Schultz.
IliescuS (2008) Research and debate – beyond cut-and-paste: The promise of collage in contemporary design. Places20(1). University of California–Berkeley. Available at: https://escholarship.org/uc/item/9hw638sm (accessed 15 October 2023).
KudrowitzB (2023) Sparking Creativity: How Play and Humor Fuel Innovation and Design. London: Routledge.
13.
McCarthyS (2013) The Designer as . . . Author, Producer, Activist, Entrepreneur, Curator and Collaborator: New Models for Communicating. Amsterdam: BIS Publishers, 148.
McCarthyS (2015b) Book art: A critical remix of The Electric Information Age Book. Visible Language49(3) (Critical Making: Design and the Digital Humanities). Cincinnati, OH: University of Cincinnati, 178–203.
16.
McCarthyS (2020) Sensible nonsense: Collage as redesign. Message journal (University of Plymouth Press): 82–87.
17.
McLuhanMFioreQAgelJ (2008) The Medium is the Massage (Penguin Classics). London: Penguin Books UK.
SchnappJTMichaelsA (2011) The Electric Information Age Book: McLuhan/Agel/Fiore and the Experimental Paperback. Princeton, NJ: Princeton University Press.
