Consumption in modern, capitalist countries is studied through the lens of fashion. We claim that it is fruitful to apply the concept of fashion to an analysis of consumption in a modern socialist country. By using the example of the wall unit, we discuss the emergence of fashion through the mechanism of state policy in Poland under the Communist regime. The socialist state was responsible for the propagation and implementation of modernity. The idea of progress was internalized by citizens and enacted by social emulation. Additionally, our study reveals that social class was a means of determining different attitudes toward fashion: members of the working class saw value in imitation and exact copying (revealing a monocentric approach to fashion) while the middle class engaged in a polycentric approach, that is, they valued individual creativity, mixed various styles, and were inspired by trends from western countries.
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