Abstract
Some recent British memoirs or autobiographies are discussed, focusing on narrative structure, using theories developed by Bernstein, Ricoeur, Cavarero and others to explore the relationship between `life', `story' and the effects of emplotment. Writing the lives of others, it is argued, always has an ethical dimension, as the writer is able to take advantage of the hindsight not available to his or her subjects — here parents or grandparents. The means by which the writers concerned negotiate this privilege of hindsight, and the implications of the narrative choices they inevitably have to make, are explained.
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