Abstract
This article investigates the role that narrative plays in the emergence of cultural movements from the networked interactions of users with the algorithmic structures of social media platforms. It identifies and anatomizes a new narrative phenomenon created by the technological affordances of Twitter, a phenomenon dubbed ‘emergent storytelling’. In doing so, it seeks to explain: (a) the multiple concepts of narrative that operate at different levels of hashtag movements emerging from the dynamic forces that circulate in and through Twitter; (b) the interplay of narrative cognition with stochastic viral activity and the invisible design of social media algorithms; and (c) the varying rhetorical purposes that narrative is put to in public discourse about viral movements. Using #MeToo as a case study in the generation and reception of ‘affective publics’, it clarifies how iterative appeals to the experiential truth of individual stories manifest as narratable social movements in the networked public sphere.
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