By drawing on scholarship that focuses on cinema and music, the author argues that the very act of ‘creating culture’ in the contemporary Palestinian period is a form of political resistance. Second, given political conditions of countering Zionist/Israeli erasures, the study of Palestinian culture is also a form of political resistance. The author argues that the resistance at the heart of the two ‘analytics’ of culture and cultural studies is imperative.
AbdelhadiA (2004) Surviving siege, closure, and curfew: the story of a radio station. Journal of Palestine Studies34(1): 51–67.
2.
Al-Ju’behN (2009) Architecture as a source for historical documentation: the use of Palestine’s built heritage as a research tool. Jerusalem Quarterly36: 48–65.
3.
Al-ZobaidiS (2009) Memory, documentary and history. In: NassarISaltiR (eds) I Would Have Smiled: Photographing the Palestinian Refugee Experience. Beirut: Institute of Palestine Studies, 101–119.
4.
AlexanderL (2005) Is there a Palestinian cinema? The national and transnational in Palestinian film production. In: SteinRSwedenburgT (eds) Palestine, Israel, and the Politics of Popular Culture. Durham, NC: Duke University Press, 150–172.
5.
BisharaA (2008) Watching US television from the Palestinian street: the media, the state, and representational interventions. Cultural Anthropology23(3): 488–530.
6.
BresheethH (2007) The continuity of trauma and struggle: recent cinematic representations of the Nakba. In: Sa’diAHAbu-LughodL (eds) Nakba: Palestine, 1948, and the Claims of Memory. New York: Columbia University Press, 161–187.
7.
DabashiH (ed.) (2006) Dreams of a Nation: On Palestinian Cinema. New York: Verso.
8.
DavisR (2006) Palestinian cultural expression through political turmoil. Jerusalem Quarterly25: 3–4.
9.
FeldmanI (2008) Refusing invisibility: documentation and memorialization in Palestinian refugee claims. Journal of Refugee Studies21(4): 498–516.
10.
GarnhamN (1995) Political economy and culture studies: reconciliation or divorce?Critical Studies in Mass Communication12: 62–71.
11.
GramsciA (1971) Selections from the Prison Notebook, (ed.) and trans. HoareQNowell SmithG. London: Lawrence and Wishart.
12.
GreenbergE (2009) ‘The kind of the streets’: hip hop and the reclaiming of masculinity in Jerusalem’s Shu’afat Refugee Camp. Middle East Journal of Culture and Communication2(2): 231–250.
13.
GrossbergL (1995) Cultural studies vs. political economy: is anybody else bored with this debate? Critical Studies in Mass Communication12: 72–81.
14.
HallS (1980) Cultural studies: two paradigms. Media, Culture & Society2: 57–72.
JamalA (2005) Media Politics and Democracy in Palestine: Political Culture, Pluralism, and the Palestinian Authority. Portland: Sussex Academic Press.
17.
JayyusiL (2002) Voicing the nation: the struggle over Palestinian broadcasting. INTERSections2(3–4): 39–49.
18.
KhalidiR (1998) Palestinian Identity: The Construction of Modern National Consciousness. New York: Columbia University Press.
19.
KurzmanC (2005) Da Arabian MCs. Contexts4: 70–72.
20.
MairaS (2008) ‘We ain’t missing’: Palestinian hip hop – a transnational youth movement. CR: New Centennial Review8(2): 161–192.
21.
MassadJ (2005) Liberating songs: Palestine put to music. In: SteinRSwedenburgT (eds) Palestine, Israel, and the Politics of Popular Culture. Durham, NC: Duke University Press, 175–201.
22.
MassadJ (2006) The weapon of culture: cinema in the Palestinian liberation struggle. In: DabashiH (ed.) Dreams of a Nation. New York: Verso, 32–44.
NaficyH (2001) Accented Cinema: Exilic and Diasporic Filmmaking. Princeton, NJ: Princeton University Press.
25.
NossekHRinnawiK (2003) Censorship and freedom of the press under changing political regimes: Palestinian media from Israeli Occupation to the Palestinian Authority. International Communication Gazette65(2): 183–202.
26.
PeckJ (2001) Itinerary of a thought: Stuart Hall, cultural studies, and the unresolved problem of the relation of culture to ‘not culture’. Cultural Critique48(spring): 200–249.
27.
PeteetJ (1996) The writing on the walls: the graffiti of the Intifada. Cultural Anthropology11(2): 139–159.
28.
PiterbergG (2001) Erasures. New Left Review10: 31–46.
29.
Sa’diAAbu-LughodL (eds) (2007) Nakba: Palestine, 1948, and the Claims of Memory. New York: Columbia University Press.
30.
SaidE (1984) Permission to narrate. Journal of Palestine Studies13(3): 27–48.
31.
SaidE (2003) Culture and Resistance: Conversations with Edward W. Said (interviews by BarsamianD). Cambridge, MA: South End Press.
32.
SmithP (1997) Millennial Dreams: Contemporary Culture and Capital in the North. New York: Verso.
33.
SuleimanE (2000) Interview: a cinema of nowhere. Journal of Palestine Studies29(2): 95–101.
34.
SwedenburgT (1989) Occupational hazards: Palestine ethnography. Cultural Anthropology4(3): 265–272.
35.
TawilH (2005) Coming into being and flowing into exile: history and trends in Palestinian film-making. Nebula2(2): 113–140.
36.
Tawil-SouriH (2007) Global and local forces for a nation-state yet to be born: the paradoxes of Palestinian television policies. Westminster Papers in Communication and Culture4(3): 4–25.
37.
ThompsonEP (1980) Making of the English Working Class. London: Gollancz.
38.
WilliamsR (1961) The Long Revolution. New York: Columbia University Press.
39.
WilliamsR (1977) Marxism and Literature. New York: Oxford University Press.
40.
WilliamsR (1983) Culture and Society. New York: Columbia University Press.
41.
WolsfeldGFroshPAwadbyM (2008) Covering death in conflicts: coverage of the Second Intifada on Israeli and Palestinian television. Journal of Peace Research45(3): 401–417.
42.
YaqubN (2009) Gendering the Palestinian political cartoon. Middle East Journal of Culture and Communication2(2): 187–213.
43.
YoumansW (2007) Arab American hip hop. In: AmeriAAridaH (eds) Etching Our Own Image: Voices from within the Arab American Art Movement. Newcastle: Cambridge Scholars Publishing, 42–59.
