• This article is part of a wider research project on the cultural and political significance of the photographic representations of suffering during the Second Iraq War (2003) in Greek newspapers. The paper examines in detail a particular case study — the `wailing father' photographs — carrying out a socio-semiotic analysis of the signifying practices of news reporting and exploring the visual construction of `death' and `lamentation', accounting for the complex articulation between the particular social/cultural context and the processes of meaning construction. More specifically, the aim of the article is to study the role of the representation of death and grief in war; firstly as a rhetorical tool wielded by the Greek press to support its political and moral stance against the Second Iraq War, and, secondly as a hegemonic device that creates an ambivalent divide between `us' (the `implied readers' identifying with the Western moral virtues of `civilised' humanity) and `them' (the social groups being represented, the `Non-Western World') along the lines of Orientalist bipolar oppositions. The article concludes that the `wailing father' photographs, as a deeply complex mixture of voyeurism, objectification, affective participation, human brotherhood, moral indifference, imaginative compassion, passivity and fatalism, seem to reproduce, in all their confusion, the Western superiority and the Orientalist imagery, but also the moral and political failure to react over suffering and war. •
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