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Abstract

This article examines Valentin Podpomogov’s contributions to Soviet Armenian visual art, focusing on his use of tragic symbolism to explore suffering, mortality, and historical trauma. While officially working within the Socialist Realist framework, Podpomogov developed a symbolic language that allowed him to navigate Soviet ideological constraints while preserving Armenian cultural memory. His paintings reject transcendence, insisting on history’s unrelenting presence, particularly in response to the Armenian Genocide and Soviet-era repression. Podpomogov’s engagement with tragic symbolism was shaped by philosophical inquiries into fate, historical determinism, and the cyclical nature of suffering. His work adapts Symbolist techniques not to evoke mysticism but to visualize existential and historical trauma. Before turning to painting, he worked in animation, using allegory and folklore to explore moral consequence and national identity. This study argues that Podpomogov’s legacy remains central to contemporary Armenian visual culture, offering a crucial framework for understanding artistic responses to repression, history, and memory.

Keywords

Armenian identity collective mourning historical trauma Soviet Armenian art tragic symbolism Valentin Podpomogov

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Tragic symbolism in Soviet Armenian visual art: The legacy of Valentin Podpomogov

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