Abstract
In this article I consider working-class lesbians' views and experiences of
commercialized scene space as these venues change in light of social, economic and
political developments. Working-class lesbians both participated in and felt
excluded from scene spaces, often criticizing them as 'pretentious' and 'unreal' for
their cosmopolitan gloss. In this upgrading a politicized perspective was believed
to have been sacrificed or in jeopardy, threatened by gendered and classed
consumer-based expectations and inhabitations. The reproduction of such space via
regeneration and sophistication mediates the construction of lesbian styles,
appearances and identities, demarcating boundaries of inclusion across time and
place. Interviewees spoke of scene developments and changes with a sense of loss,
even nostalgia; their descriptions frequently conjured up binaries of now/then,
political/apolitical, marginal/mainstream, metropolitan/provincial —
producing an uneasy situation
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