Abstract
This article looks at research carried out at the FBI Laboratory’s Special Photographic Unit in the identification of denim trousers from bank surveillance film. This research, which was published in 1998, showed that despite the ubiquity of jeans, each pair has individual identifying characteristics caused by the manufacturing process and by wear, and that these might be used as evidence in the identification of criminal suspects. What the FBI research also inadvertently illuminated was an otherwise hidden relationship between garment, maker and wearer, in an effective - if accidental - reversal of commodity fetishism.
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