Abstract
Each process of meaning making can be seen as a field of semiotic organization that shows a variety of continuities and discontinuities, rather than as a linear trajectory of accumulated signs, progressively articulated through syntagmatic chains. In this work, we address the idea that the sign is a discontinuous form within a field; it emerges where there are different trajectories of meaning, different epistemic positions, and different subjective or affective ways of experiencing a phenomenon. The central aspect of the paper is based on the idea that the sign is a
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