In Australia, policies that mandate levels of production and distribution of local television content are shaping factors of the sector. Many of these policies are under review due to the impact of new streaming services. At a time of major overhaul of policies, it is illustrative to return to the development of earlier local content policies in Australia. The development of the 1992 New Eligible Drama Expenditure Requirement (NEDE) on Australian pay-TV reveals the difficult balancing act between cultural and economic rationalisations of cultural policy. Using policy analysis of key historical documents surrounding the NEDE's development, this article charts how decisions over the shape of the policy were constructed in ways that prioritised impacts on industry. In doing so, this article reveals how despite some objectives of the Broadcasting Services Act (BSA) aiming to balance culture and the economy, the NEDE was designed with industry at the forefront.
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