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Abstract

This essay offers an appreciation of Stuart Cunningham's substantial and diverse contributions to ‘reframing culture’ in Australian research, policy and industry practice, from his early reformulations of Australian film history to his recent work on digital media disruption. The essay discusses the range of Cunningham's institutional and intellectual legacies, suggesting that his advocacy for cultural policy and the creative industries together with his leadership of major collaborative research initiatives in the humanities and social sciences have been especially important for media and cultural studies in Australia. Further, his approach to the project of ‘reframing culture’ is likely to remain a critical task.

Keywords

Australian cultural and media studies Stuart Cunningham cultural policy creative industries humanities in Australia

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References

Cunningham

(1991) Featuring Australia: The Cinema of Charles Chauvel. Sydney: Allen and Unwin.

Cunningham

(1992) Framing Culture: Criticism and Policy in Australia. Sydney: Allen and Unwin.

Cunningham

(2013) Hidden Innovation: Policy, Industry and the Creative Sector. St Lucia: University of Queensland Press.

Cunningham

Craig

(2019) Social Media Entertainment: The New Intersection of Hollywood and Silicon Valley. New York: New York University Press.

Routt

(1985) On the expression of colonialism in early Australian films: Charles Chauvel and naive cinema. In: Moran

O’Regan

(eds) The Australian Film Reader. Sydney: Currency Press, 55–66.

Reframing culture: Stuart Cunningham's legacies

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