Utopias of Mud? Hassan Fathy and Alternative Modernisms

Abstract

The article reconsiders the mud-brick architecture of Egyptian architect Hassan Fathy (1900-1989), looking particularly at his two major (but, for different reasons, incomplete) projects for settlements at New Gourna (1945-1949), across the Nile from Luxor, and at New Baris (1965-1967), in the Kharga Oasis (or New Valley). This reconsideration is timely in two contexts: first, current interest in sustainable architecture and the potential of mud brick as a low-cost (or, as Fathy put it, a no-cost) solution for the housing needs of nonaffluent countries and, second, reflections from a position in postmodernity on modernism and the possibility that there are alternative modernisms besides the international modernism specific to Europe and North America. This leads to debates around modernism and tradition, and Fathy occupies a complex position in this regard. But his work also raises questions as to the production of space, not least in a fusion of design and building, and the handing over to local masons of key aspects of both. The key question, however, in which both of the above aspects figure, is whether Fathy's work, particularly his efforts to create whole settlements, constructs a traditional (and nationalist) alternative to modernism or (still as nationalism) an alternative modernism incorporating aspects of European modernism and articulating them in new ways. The question has wide implications for visual culture—art and design as well as architecture—as well as being a means to read Fathy's work within postcolonial and postmodern frameworks.