Abstract
As the possibilities of hypermodal inquiry intensify against the boundaries of qualitative research, a hypermodal assemblage performs an unfolding–refolding of layers within the space of Deleuzian thought. By exploring a literary question asked by F. Scott Fitzgerald and later repeated by Deleuze, a Deleuzian lens transports the ontologically real into the realm of the postmodern, expanding alternative conceptualizations of the conventional question, “What happened?” Here, layered text, images, and sound flatten into a hypermodal intensity of passageways through poststructural philosophy, literature, and visual art. By exploring hypermodal reading and writing practices, this assemblage reimagines prohibitive thresholds within qualitative inquiry.
Get full access to this article
View all access options for this article.
