In this performance autoethnography the author explores the simultaneity of telling and resisting stories of lived experience. In the process the author constructs the notion of “resisting stories” as autoethnographic performance narratives that both resist and demand telling in the process of making themselves public. Through his memories, the author tries to show the in-possible performance of brown-bodied, curlier hair woman, his Mother, in her yearning to Whiteness. However, the author too, cannot escape the stories his own hair tells. Please, keep your “hair straight.”
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2.
AlexanderB. K. (2004). Black skin/White masks: The performative sustainability of Whiteness (with apologies to Frantz Fanon). Qualitative Inquiry, 10, 647-672.
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AlexanderB. K. (2012). The performative sustainability of race: Reflections on Black culture and the politics of identity. New York, NY: Peter Lang.
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DenzinN. (2006). Analytic autoethnography, or déjà vu all over again. Journal of Contemporary Ethnography, 35, 419-428.
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GaleK.WyattJ. (2008). Becoming men, becoming men? A collective biography. International Review of Qualitative Research, 1(2), 235-253.
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McCarthyC. (1996). Rethinking liberal and radical perspectives on racial inequity in schooling: Making the case for non synchrony. In LeistynaP.WoodrumA.SherblomS. A. (Eds.), Breaking free: The transformative power of critical pedagogy (pp. 149-166). Cambridge, MA: Harvard Education Review
