This study offers a critical textual analysis of trans* representation in two popular Hindi web series Sacred Games (Luegenbiehl & Motwane (Executive Producers), 2018–2019, Sacred Games [TV series]) and Paatal Lok (Sharma et al. (Executive Producers), 2020–Present, Paatal Lok [TV series]). We probe how trans* representations function to maintain normative agendas in a heteropatriarchal nation-state. Further, we examine their potential to reify dominant stereotypes in popular media. Our analysis reveals discourses surrounding hegemonic heterosexuality (Yep, 2003, Journal of Homosexuality, 45(2–4), 11–59), transnormativisation (Puar, 2015, Social Text, 33(3 (124)), 45–73) and homohindunationalism (Upadhyay, 2020, Interventions, 22(4), 464–480) based on two trans* characters—Kukkoo and Cheeni. We argue that the characters are conceptualised through a cis-heteropatriarchal imagination in a right-wing nation-state achieved through gendered and racialised othering. We uncover several mediated failures. First, how persistent male gaze functions to centre cis-heteronormative tropes that marginalise trans*ness and the trans* characters. Second, the dual pressures of Puar’s theorisation of ‘passing’ and ‘piecing’ create normativised trans* bodies that are unable to break out of the gender binary. Lastly, we argue that the Hindu-nationalist state works to co-opt and nullify progressive portrayals of trans* characters through its legal and biopolitical machinery.
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