Abstract
A number of Chinese migrant writers have achieved success in writing in English, one of the most significant being Jung Chang, with her politically controversial Wild Swans. A key site for controversy is its attribution of historical responsibilities in describing China’s catastrophic Cultural Revolution (1966–1976). However, to date, little scholarly attention has been paid to the Chinese translation of this book, an unusual situation where the source text author partially contributed to the translation decision-making. This article seeks to examine the shifts of responsibilities in this translation with a focus on the linguistic representation of three participants in the event: Mao, Red Guards and general students. It adopts a functional translational stylistics approach to explore the combinational foregrounding patterns in
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