Abstract
My starting point is a dialogical notion of language that puts forth language activity as a dynamic process performed by subjects conceived as dialogical selves. Obviously, the language performance taking place at a specific moment is not pure momentaneity, not only unique but also well-known, it can be identified and recognized. What, then, grants the performance order and makes it non-arbitrary? To preserve the priority of the performance of language activity one has to conceive of a structuring moment other than some supra-individual system that is upstream to performance. This leads to the “in-between”: the principal assumption is that relata are constituted by an in-between, understood as a medium-generating relatedness, and thus the relata as such. Seeing language as that medium, I look at the way it functions, how it supplies forms as possibilities of generating a communicable and understandable subjectivity. Time is a key notion to this questioning.
Get full access to this article
View all access options for this article.
