Chong, Woei Lien, 1994. "Chen Kaige's 'Farewell to My Concubine': Some Personal Musings", in Reminiscences and Ruminations: Playful Essays to Celebrate the 25th Anniversary of the Documentation and Reseurch Center for Contemporary China, Supplement to China Information , Vol. IX, No. 1 (Summer 1994), pp. 41-47.
3.
Chong, Woei Lien and Anne Sytske Keyser , 1994. "Chinese Films at the 1994 Rotterdam Film Festival: The Chinese Censor Comes to Rotterdam — In Vain", in China Infonnation, Vol. VIII, No. 3 (Winter 1993- 1994), pp. 53-66.
4.
Chong, Woei Lien, 1995. "Alienation in the Modem Metropolis: The Visual Idiom of Taiwanese Film Director Tsai Ming-liang", in China Infonnation , Vol. IX, No. 4 (Spring), pp. 81-95.
5.
Chong, Woei Lien, and Anne Sytske Keyser , 1995. "Chinese Cinema at the 1995 Rotterdam Film Festival: Dreaming of a Better World", in China Information, Vol. IX. No. 4 (Spring), pp. 60-72.
6.
Keyser, Anne Sytske, 1993. "Chinese Films at the 1993 Rotterdam Film Festival: East-Asian Society in Transition", in China Information, Vol. VII, No. 4 (Spring), pp. 33-38.
7.
Tay, William, 1994. "The Ideology of Initiation: The Films of Hou Hsiao-hsien ", in Nick Browne, Paul G. Pickowicz, Vivian Sobchak and Esther Yau (Eds.), New Chinese Cinema: Forms, Identities, Politics . Cambridge University Press, pp. 151-159.