Abstract
Singing in barbershop choruses and quartets evokes sentimentality and nostalgia as a means of interpreting the present and establishing an identity as a barbershop singer. In choruses devoted to the preservation of a highly stylized form of singing, a gendered social context shapes the acquisition of identities in the development of relationships. An analysis of the barbershop experience reveals that men, particularly those with common backgrounds, are routinely involved in expressing deep emotions through ritualized means, allowing them to maintain a version of traditional masculine identity.
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