Abstract
This is a qualitative study in which detailed, semi-structured interviews were conducted with six male and female high-level singers. In comparison to Nordin and Cumming’s work on professional dancers, some similarities and some unique differences emerged from the results. The Four Ws framework was employed, which involves Where, What, Why, and When singers image. Like in Nordin and Cumming’s study, How was a dimension that emerged inductively from the results. Singers mainly used imagery for improving vocal technique, performance anxiety, and character development.
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