Abstract
This study examined the effects of psychotic tendencies on aesthetic preferences for paintings. Although psychotic tendencies and related phenomena are often associated with creative achievements, little research in the field of experimental aesthetics has investigated their effects on the aesthetic experience. This study (N = 153) examined how the positive, negative and disorganized aspects of psychotic tendencies, defined through a comprehensive model of the Disintegration trait, are related to the aesthetic preferences of paintings.
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