Abstract
Musical creativity is an enigmatic and significant topic of enduring interest, but its evaluation remains a challenging and underexplored area. Grounded in the context of compulsory education in China and the requirements of the latest version of China’s National Standard for Arts Curriculum 2022, this study discusses how to evaluate musical creativity with reference to the three theories developed by Webster, Williams, and Burnard. The paper moves on to construct an Evaluation Index System of Musical Creativity (hereafter EISMC) with reference to the Delphi method, and fixes its weightings using the Analytic Hierarchy Process (AHP). After three rounds of consultation with professionals working in the field, it was determined that EISMC should have three primary indices:
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