Adorno, Theodor.1960. Television and the patterns of mass culture. In Mass communications, ed. Wilbur Schramm, 594-612. Urbana : University of Illinois Press.
2.
Allen, Robert.1992. Audience-oriented criticism and television. In Channels of discourse, reassembled: Television and contemporary criticism , 101-137. Chapel Hill: The University of North Carolina Press .
3.
Althusser, Louis.1971. Ideology and ideological state apparatuses. (Notes toward an investigation. In Lenin and philosophy and other essays , 127-186. NY: Monthly Review Press.
4.
Baudrillard, Jean.1981. The ideological genesis of needs. In For a critique of the political economy of the sign, 63-87. Telos Press.
5.
Benjamin, Walter.1968. The work of art in the age of mechanical reproduction . In Illuminations, 217-252. New York: Schocken Books.
6.
Bourdieu, Pierre.1986. Outline of a theory of practice. Trans. by R. Nice. Cambridge: Cambridge University Press .
7.
Bucks-Morss, Susan.1986. The flaneur, the sandwichman and the whore: The politics of loitering. New German Critique39 (Fall): 99-140.
8.
. 1989 . Dialectics of seeing: Walter Benjamin and the Arcades Project . Cambridge, MA: The MIT Press .
9.
Carey, James.1989. Overcoming resistance to cultural studies. In Communication as culture: Essays on media and society, 89-112. Boston : Unwin Hyman.
10.
Condit, Celeste Michelle.1989. The rhetorical limits of polysemy. Critical Studies in Mass Communication6(2): 103-122.
11.
Comer, John.1991. Meaning, genre and context: the problematics of 'public knowledge' in the audience studies. In Mass media and society , ed. James Curran and Michael Gurevitch, 267-284. London: Edward Arnold.
12.
Curran, James.1990. The new revisionism in mass communication research: A reappraisal. European Journal of Communication5(2-3): 135-164.
13.
. 1996. Media dialogue: A Reply. In Cultural studies and communications, ed. James Curran, David Morley and Valerie Walkerdine, 294-299. London: Arnold.
14.
Curran, James, David Morley and Valerie Walkerdine .1996. General introduction. In Cultural studies and communications, 1-5. London: Arnold.
15.
Deming, Robert.1986. Theorizing television: Text, textuality, intertextuality . Journal of Communication Inquiry10(3): 33-44.
16.
Denning, Michael.1991. The end of mass culture. In Modernity and mass culture, ed. James Naremore and Patrick Brantlinger, 253-268. Bloomington : Indiana University Press.
17.
Eco, Umberto.1992. Interpretation and overinterpretation. Cambridge: Cambridge University.
18.
Fiske, John.1987. Television culture.(Reprint 1991 ). London: Routledge.
19.
. 1988. Meaningful moments. Critical Studies in Mass Communication5(3): 246-251.
20.
_. 1989a. Reading the popular. Boston: Unwin Hyman.
21.
_. 1989b. Understanding popular culture. London : Routledge.
22.
_. 1991. Popular discrimination. In Modernity and mass culture, ed. James Naremore and Patrick Brantlinger, 103-116. Bloomington : Indiana University Press.
23.
Frith, Simon.1991. The good, the bad, and the indifferent: Defending popular from the populists. Diacritics21 (4): 102-115.
24.
Frow, John.1995. The concept of the popular. In Cultural studies and cultural value, 60-88. NY: Oxford University Press.
25.
Gramsci, Antonio.1971Selection from the Prison Notebooks. NY: International Publishers.
26.
. 1985. Selections from cultural writings. Cambridge: Harvard University.
27.
Hall, Stuart.1979. Culture, the media and the 'ideological effect' . In Mass communication and society, ed. James Curran, Michael Gurevitch , and Janet Woollacott, 315-348. Beverly Hills: Sage Publications.
28.
. 1981 . Notes on deconstructing "the popular." In People's history and social theory, ed. Raphael Samuel, 277-94. London: Routledge .
29.
. 1986a. The problem of ideology: Marxism without guarantees. Journal of Communication Inquiry10(2): 28-44.
30.
. 1986 b. The rediscovery of 'ideology': Return of the repressed in media studies. In Culture, society and the media, ed. Michael Gurevitch, Tony Bennett , James Curran and Janet Woollacott, 56-90. NY: Routledge .
31.
. 1986 c. Popular culture and the state. In Popular culture and social relations, ed. Tony Bennett , Colin Mercer, and Janet Woollacott, 22-49. Milton Keynes: Open University Press.
32.
. 1993 . Encoding/decoding. In The cultural studies reader, ed. Simon During, 90-103. London : Routledge.
33.
Hall, Stuart, Bob Lumley, and Gregor McLennan .1977. Politics and ideology: Gramsci . Working Papers in Cultural Studies10: 45-76.
34.
Hardt, Hanno.1992. Critical communication studies: Communication, history and theory in America. London: Routledge.
35.
Harris, David.1992. From class struggle to the politics of pleasure: The effects of Gramscianism on cultural studies. London : Routledge.
36.
Hebdige, Dick.1993. From culture to hegemony. In The cultural studies reader, ed. Simon During , 357-367. London : Routledge.
37.
Horkheimer, Max and Theodor Adorno.1972. The culture industry: Enlightenment as mass deception. In Dialectic of enlightenment, 120-167. NY : Herder and Herder.
38.
Jameson, Fredric.1991. Introduction. In Postmodernism, or the cultural logic of late capitalism, ix-xxii. Durham: Duke University Press.
39.
Klinger, Barbara.1991. Digressions at the cinema: commodification and reception in mass culture. In Modernity and mass culture, ed. James Naremore and Patrick Brantlinger, 117-134. Bloomington: Indiana University Press.
40.
Lears, Jackson.1988. Power, culture and memory. Journal of American History75(1): 137-140.
41.
Lewis, Justin.1991. The ideological octopus: An exploration of television and its audiences. NY: Routledge .
42.
Livingstone, Sonia.1991. Audience reception: The role of the viewer in retelling romantic drama. In Mass media and society, ed. James Curran and Michael Gurevitch, 285-306. London: Edward Arnold .
43.
Livingstone, Sonia and Peter Lunt.1994. The mass media, democracy and the public sphere. In Talk on television: Audience participation and public debate, 9-35. London: Routledge.
44.
McGuigan, Jim.1992. Cultural populism. London: Routledge.
45.
McRobbie, Angela.1994a. New times in cultural studies. In Postmodernism and popular culture, 24-43. London: Routledge .
46.
. 1994b. The Passagenwerk and the place of Walter Benjamin in cultural studies. In Postmodernism and popular culture, 96-120. London : Routledge.
47.
Moores, Shaun.1993. Interpreting audiences: The ethnography of media consumption . London: Sage.
48.
Morley, David.1992. Television, audiences and cultural studies. London: Routledge.
49.
. 1996. Populism, revisonism and the 'new' audience research. In Cultural Studies and communications, 279-293. London: Arnold.
50.
O'Sullivan, Tim, John Hartley, Danny Saunders, Martin Montgomery and John Fiske.1984. Key concepts in communication and cultural studies. London: Routledge.
51.
Saenz, Michael.1992. Television viewing as a cultural practice. Journal of Communication Inquiry16(2): 37-51.
52.
Seaman, William.1992. Active audience theory: Pointless populism. Media, Culture and Society14(2): 301-311.
53.
Slater, Don.1993. Going shopping. Markets, crowds and consumption . In Cultural reproduction, ed. Chris Jenks, 188-209. NY: Routledge.
54.
Turner, Graeme.1990. British cultural studies: An introduction. Boston: Unwin Hyman.
55.
Volosinov, Valentin.1973. Marxism and the philosophy of language. NY: Seminar Press.
56.
Williams, Raymond.1977. Marxism and Literature. Oxford : Oxford University.
57.
. 1992 . Television: Technology and cultural form. Hanover: Wesleyan University.
58.
Willis, Susan.1991. A primer for daily life. NY : Routledge.
