Danish TV drama

Agger G (2016) Nordic noir: location, identity and emotion. In: García A (ed) Emotions in Contemporary TV Series. New York: Palgrave MacMillan, pp. 134–152.

Boym S (2001) The Future of Nostalgia. New York: Basic Books.

Broadchurch (2013–2017) ITV. Kudos Film and Television/Imaginary Friends.

Burgoyne R (2008) The Hollywood Historical Film. Malden: Blackwell Publishing.

Creeber G (2015) Killing us softly: investigating the aesthetics, philosophy and influence of Nordic noir television. Journal of Popular Television 3(1): 21–35.

Doyle G (2013) Understanding Media Economics, 2nd ed. London: Sage.

Dunleavy T (2016) Crossing new boundaries in public TV drama: the transnational success of Denmark’s Forbrydelsen . In: Lowe GF Yamamoto N (eds) Crossing Borders and Boundaries in Public Service Media. Gothenburg: Nordicom, pp. 201–214.

Forbrydelsen [The Killing] (2007–2012) DR1, DR.

Hansen KT Waade AM (2017) Locating Nordic Noir. London: Palgrave MacMillan.

Hedling O (2014) Notes on Nordic Noir as European Popular Culture. Frames Cinema Journal, 6 December 2014. Available at: http://framescinemajournal.com/article/notes-on-nordic-noir-as-european-popular-culture/ (accessed 30 August 2017).

Hinterland (2013–) BBC 1. All3Media International/BBC Wales/Fiction Factory/Sianel 4 Cymru [S4C]/Tinopolis.

Jensen PM (2016). Global impact of Danish drama series: a peripheral, non-commercial creative counter-flow. Kosmorama 263. Available at: http://www.kosmorama.org/Artikler/Global-Impact-of-Danish-Drama-Series.aspx (accessed 21 July 2017).

Jensen PM Nielsen JI Waade AM (2016) When public service drama travels: the internationalization of Danish television drama and the associated production funding models. Journal of Popular Television 3(2): 91–108.

McFadyen S Hoskins C Finn A (2000) Cultural Industries from an economic/business research perspective. Canadian Journal of Communication 25(1). Available at: http://www.cjc-online.ca/index.php/journal/article/view/1146 (accessed 29 May 2013).

Nelson R (2016) The emergence of ‘affect’ in contemporary TV fiction. In: Alberto G (ed) Emotions in Contemporary TV Series. London: Palgrave Macmillan, pp. 26–51.

Nielsen JI (2016) The Danish way to do it the American way. Kosmorama 263. Available at: http://www.kosmorama.org/ServiceMenu/05-English/Articles/The-Danish-Way.aspx (accessed 21 July 2017).

Olson SR (1999) Hollywood planet: global media and the competitive advantage of narrative transparency. Mahwah: Lawrence Erlbaum.

Pertierra AC Turner G (2013) Locating Television: Zones of Consumption. London: Routledge.

Redvall EN (2013) Writing and Producing Television Drama in Denmark. New York: Palgrave Macmillan.

Ricoeur P (1983–1985) Temps et Récit I–III. Paris: Éditions du Seuil.

Sinclair J (2009) Latin America’s impact on world television markets. In: Turner G Tay J (eds) Television Studies After TV: Understanding Television in the Post-Broadcast Era. London: Routledge.

Stougaard-Nielsen J (2016) Nordic noir in the UK: the allure of accessible difference. Journal of Aesthetics and Culture 8: 1–11.

Straubhaar JD (2007) World Television: From global to local. Los Angeles: Sage.

Turbull S (2014) The TV Crime Drama. Edinburgh: Edinburgh University Press.

Wallander (2005–2013) Swedish series starring Henrik Kristersson as Wallander, Yellow Bird/ARD Degeto/TV4 Sweden/Film I Skåne.

Wallander (2008–) British adaptation starring Kenneth Branagh as Wallander, BBC Scotland/ARD Degeto Film/Zodiak Entertainment/Left bank Pictures/TV4 Sweden/Yellow Bird.