Abstract
While studies on the work people undertake on their ‘identities’ in professional contexts tend to focus on inner conversations between different possible selves, this paper considers the impact of ‘inherited’ prescriptions and expectations on such inner conversations and the entwining of identity work with historic conditions written onto the body. It does so by studying performing artists with dwarfism. Taking into account their long history of stereotypical roles within the entertainment sector and their visibly ‘different’ body which guarantees to solicit the gaze of others, this study considers identity in terms of the corporeal positioning of the self of artists whose position on stage is often morally disputed, both inside and outside the community of people with dwarfism. Analysing how people use their Othered bodies as a symbolic resource for identity work, we describe three different ways of engaging in embodied identity work: identity ‘ethicalization’, through stereotype-
Get full access to this article
View all access options for this article.
