Flexibility,post-Fordism and the music industries

Aglietta, M. (1979) Theory of Capitalist Regulation. London: Verso.

Aksoy, A. and K. Robins (1992) `Hollywood for the 21st Century: Global Competition for Critical Mass in Image Markets', Cambridge Journal of Economics 16: 1-22.

Amin, A. and K. Robins (1990) `The Re-emergence of Regional Economies? The Mythical Geography of Flexible Accumulation', Environment and Planning D: Society and Space 8: 7-34.

Barnes, K. (1988) `Top 40 Radio: A Fragment of the Imagination', pp. 8-50 in S. Frith (ed.). Facing the Music. New York: Pantheon.

Brusco, S. (1982) `The Emilian Model: Productive Decentralisation and Social Integration', Cambridge Journal of Economics 6: 167-84.

Burnett, R. (1990) `Concentration and Diversity in the International Phonogram Industry', PhD dissertation, University of Gothenberg, Sweden.

Christopherson, S. and M. Storper (1986) `The City as Studio, the World as Back Lot: The Impact of Vertical Disintegration on the Location of the Motion Picture Industry', Environment and Planning D: Society and Space 4: 305-20.

Christopherson, S. and M. Storper (1989) `The Effects of Flexible Specialisation on Industrial Politics and the Labor Market: The Motion Picture Industry', Industrial and Labor Relations Review 42(3): 331-47.

Clarke, S. (1992) `What in the F...'s Name is Fordism?', in N. Gilbert , R. Burrows and A. Pollert (eds) Fordism and Flexibility. London: Macmillan.

Cornford, J. and K. Robins (1992) `Development Strategies in the Audiovisual Industries: The Case of Northeast England', Regional Studies 26: 421-35.

Driver, S. and A. Gillespie (1993) `Structural Change in the Cultural Industries: British Magazine Publishing in the 1980s', Media, Culture & Society 15(2): 183-201.

Frith, S. (1981) Sound Effects: Youth, Leisure, and the Politics of Rock `n' Roll. New York: Pantheon.

Frith, S. (ed.) (1988) Facing the Music. New York: Pantheon.

Frith, S. (1993) `Popular Music and the Local State', pp. 14-24 in T. Bennett , S. Frith , L. Grossberg , J. Shepherd and G. Turner (eds) Rock and Popular Music: Politics, Policies, Institutions. London: Routledge.

Garnham, N. (1990) Capitalism and Communication: Global Culture and the Economics of Information. London: Sage.

Garofalo, R. (1992) `Black Popular Music: Crossing over or Going under?' pp. 231-48 in T. Bennett , S. Frith , L. Grossberg , J. Shepherd and G. Turner (eds) Rock and Popular Music: Politics, Policies, Institutions. London: Routledge.

Garrahan, P. and P. Stewart (1992) `Management Control and a New Regime of Subordination: Post-Fordism and the Local Economy', in N. Gilbert , R. Burrows and A. Pollert (eds) Fordism and Flexibility. London: Macmillan.

Gilbert, N. , R. Burrows and A. Pollert (eds) (1992) Fordism and Flexibility. London: Macmillan.

Gillett, C. (1971) The Sound of the City. London: Sphere.

Goodwin, A. (1991) `Rationalisation and Democratisation in the New Technologies of Popular Music', pp. 75-100 in J. Lull (ed.) Popular Music and Communication, 2nd ed.) London: Sage.

Hall, S. and M. Jacques (eds) (1990) New Times: The Changing Face of Politics in the 1990s. London: Lawrence and Wishart.

Hall, S. (1992) `Cultural Studies and its Theoretical Legacies', pp. 272-90 in L. Grossberg , C. Nelson and P. Treichler (eds) Cultural Studies. London: Routledge.

Harvey, D. (1989) The Condition of Postmodernity. Oxford: Basil Blackwell.

Hellman, H. (1983) `The New State of Competition in the Record Industry', Sociologia 20(4): 285-95.

Hirsch, P.M. (1990) `Processing Fads and Fashions: An Organization-Set Analysis of Cultural Industry Systems', pp. 127-39 in S. Frith and A. Goodwin (eds) On Record: Rock, Pop and the Written Word. New York: Pantheon.

Hodgson, G. (1988) Economics and Institutions. Cambridge: Polity.

Laing, D. (1985) One Chord Wonders: Power and Meaning in Punk Rock. Milton Keynes: Open University Press.

Lash, S. and J. Urry (1994) Economies of Signs and Spaces. London: Sage.

Miège, B. (1987) `The Logics at Work in the New Cultural Industries', Media, Culture & Society 9(3): 273-89.

Miège, B. (1989) The Capitalization of Cultural Production. New York: International General.

Negus, K. (1992) Producing Pop: Culture and Conflict in the Popular Music Industry. London: Edward Arnold.

Paterson, R. (1992) `Changing Conditions of Independent Production in the UK', in D. Petrie (ed.) New Questions of British Cinema. London: British Film Institute.

Peterson, R. and D. Berger (1990) `Cycles in Symbol Production: The Case of Popular Music', pp. 140-59 in S. Frith and A. Goodwin (eds) On Record: Rock, Pop and the Written Word. New York: Pantheon.

Piore, M.J. and C. Sabel (1984) The Second Industrial Divide: Possibilities for Prosperity. New York: Basic.

Pollert, A. (1988) `Dismantling Flexibility', Capital and Class 34: 42-75.

Robins, K. and J. Cornford (1992) `What's “Flexible” about Independent Producers?', Screen 33(2): 190-200.

Scott, A.J. (1986) `Industrial Organisation and Location: Division of Labour, the Firm, and Spatial Process', Economic Geography 62: 215-31.

Shapiro, D. , N. Abercrombie , S. Lash and C. Lury (1992) `Flexible Specialisation in the Cultural Industries', pp. 179-94 in H. Ernste and V. Meier (eds) Regional Development and Contemporary Industrial Response: Extending Flexible Specialisation. London: Belhaven.

Shaw, A. (1978) Honkers and Shouters. New York: Collier.

Storper, M. (1989) `The Transition to Flexible Specialisation in the US Film Industry: External Economies, the Division of Labour, and the Crossing of Industrial Divides', Cambridge Journal of Economics 13: 273-305.

Storper, M. (1993) `Flexible Specialisation in Hollywood: A Response to Aksoy and Robins', Cambridge Journal of Economics 17: 479-84.

Storper, M. and S. Christopherson (1987) `Flexible Specialisation and Regional Industrial Agglomerations: The Case of the US Motion Picture Industry', Annals of the Association of American Geographers 77(1): 104-17.

Straw, W. (1990) `Popular Music as Cultural Commodity: The American Recorded Music Industries 1976-1985', unpublished PhD thesis, McGill University, Montreal.

Straw, W. (1993) `Popular Music and Post-Modernism in the 1980s', pp. 3-21 in S. Frith and A. Goodwin (eds) The Music Video Reader. London: Routledge.

Vignolle, J. (1980) `Mixing Genres and Reaching the Public: The Production of Pop Music', Social Science Information 19(1): 79-105.

Williams, K. , T. Cutler , J. Williams and C. Haslam (1987) `The End of Mass Production?', Economy and Society 16: 405-39.

Williamson, O. (1985) The Economic Institutions of Capitalism. London: Collier Macmillan.