Music and social science: a survey

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Adorno, T.W. (1945). A social critique of radio music, Kenyon Review, vol. VIII, no. 2

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Adorno, T.W. (1973b). Philosophy of Modern Music, Mitchell, A. and Bloomster, W (transl.), New York, Seabury

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Frith, S. (1978). The Sociology of Rock, London , Constable

Gans H. ( 1967). Popular cultures in America: social problems in a mass society or social asset in a pluralist society, in Becker, H. S. (ed.), Social Problems: a Modern Approach , New York, John Wiley

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Horkheimer, M. and Adorno, T.W. (1972) Dialectic ofEnlightenment, Cumming, (transl.), New York, Seabury

Langer, S. ( 1960). Feeling and Form, Cambridge , Harvard University Press

Leavis, F.R. and Yudkin M. (1962). Two Cultures? London, Chatto and Windus

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Merriam, A. P (1964). The Anthropology of Music, Evanston

Meyer, L.B. (1956). Emotion and Meaning in Music, Chicago, University of Chicago Press

Meyer, L.B. (1973). Explaining Music, Berkeley University of California Press

Middleton, R. (1972). Pop Music and the Blues, London , Victor Gollancz

Sartre, -P. (1973). Search for a Method, Barnes, H. E. (transl.) New York, Vintage

Shepherd, J. , Virden, P. , Vulliamy, G. and Wishart, T. (1977). Whose Music A Sociology of Musical Languages, London, Latimer

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Stravinsky I. ( 1960). Poetics of Music, New York , Vintage

Thompson, D (ed.) (1964). Discrimination and Popular Culture, London, Heinemann

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Willis P. (1978). Profane Culture, London, Routledge and Kegan Paul