Abstract
This article briefly examines Joe W. Trotter's Black Milwaukee: The Making of an Industrial Proletariat, 1915-45 twenty years after its publication and notes its significance for urban history. Particularly important was the book's challenge to the “ghetto synthesis,” an influential analysis of the African American experience in U.S. cities, instead of which Trotter proposed a proletarianization model. In the wake of Trotter's critique of the ghetto synthesis, studies of American cities have arrogated greater agency to African Americans.
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