This study explores the literary mother figures in Caryl Phillips’ novels The Final Passage (1985) and The Lost Child (2015) through the critical lens of matricentric feminism, focusing on patriarchal notions of motherhood including normalisation, idealisation, depoliticalisation and naturalisation. Extensive research has been conducted on these novels, but their representations of mother characters have remained relatively under-explored. With the aim of addressing that gap in the literature, we argue that Caryl Phillips problematises idealised, universal and traditional conceptions of motherhood by offering multiple and, particularly, otherised mother figures in these novels. Deconstructing such conceptions of motherhood, he exposes the socio-political and economic inequalities arising from racial discrimination, class inequalities, patriarchal oppression and colonial experiences that affect his characters’ mothering adversely. Through an intersectional reading of the mother characters in these two novels, this study aims to highlight the characters’ complexities and significance, thereby contributing to a more comprehensive understanding of the novels and enriching the discourse surrounding the representation of motherhood in literature and culture. A comparative study of these novels further reveals that they encompass various settings for multiple depictions of motherhood and different stages of imperialism, presenting haunting continuities and discontinuities in different centuries.
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